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Going full tilt

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Meanwhile, the view from Trafalgar Square in London. Photo: Jeff Hirsch
Tuesday, March 4, 2014.Very cold, in the low double digits at night. The massive storm that was allegedly coming our way on Sunday never got far enough north for us, so we were spared the inconvenience and the traffic tie-ups. Yesterday was cold and grey and the roadways had a white coating as if they had been painted. Kind of interesting looking.
It was a cold grey day and the non-storm left a chalky white cover not the roadways, looking as if they'd been whitewashed. This picture was taken midday. Things improved by 5 in the afternoon with the grey skies moving away and leaving us some pink clouds at sunset.
The  social calendar, however, is warming up and yesterday it was going full tilt. Over at Lincoln Center, the School of American Ballet was hosting its 2014 Winter Ball at the David H. Koch Theater.

This a glamorous black tie affair with about 500 attending the dinner on the Promenade, was attended by supporters from the corporate and social community as well as the School’s board members and alumni. The highlight of the evening included a performance by the advanced students of the SAB, choreographed by Silas Farley.

This year’s theme was Starry Night celebrating 80 years of dedication to the field of ballet. Diana DiMenna, Julia Koch and Serena Lese were Co-Chairs. We’ll have more on the evening later this week.
Peter Martins, Julia Koch, Serena Lese, Diana Dimenna, Noreen Ahmad, Amanda Brotman at The School of American Ballet's 2014 Winter Ball.
Also, down at Conrad New York downtown, The Bronx Museum of the Arts held its Spring Gala with the theme “Greetings From the Bronx.” More on this also, later in the week.

I started the evening at the Metropolitan Museum of Art where they were hosting a preview reception to celebrate the opening of the exhibition, “The Passions of Jean-Baptiste Carpeaux.”

I’d never heard of Carpeaux, and I don’t usually cover art events because I’m not exactly qualified, but my friend Iris Cantor’s foundation funded this huge show, and Iris had invited me to join her in seeing the preview. 
I went over to the Metropolitan Museum of a preview of a new exhibition of the 19th century French sculptor Jean-Baptiste Carpeaux.
There are more than 150 works in this exhibition of the French sculptor and painter who lived during the Second Empire under Napoleon III. While his name is no longer well known, he was very successful in his prime – which was mid-19th century, although he died at only 48. The Met’s exhibition including sculptures, paintings and drawings organized around the major projects he was involved in.

Jean-Baptiste Carpeaux, Ugolino and His Sons, 1865–67.
Carpeaux was highly regarded for his portraiture, and there is a feeling of familiarity about the faces of his subjects. They look like real people. There is a sculpture of his fiancée and another of her mother that reveal this aspect of his talent.

For although the women do not look identical (and mother is older than adult daughter of course), the resemblance of the two women is as real as if you were looking at them standing together in life. This is a wonderful show. There are membership previews this week and then the show opens next Monday, March 10th, to the public. It runs through May 26th.

When I left the Met, I grabbed a cab to take me over to Jazz @ Lincoln Center in the Time-Warner Building where the Young People’s Chorus of New York City/ Francisco J. Nunez Artistic Director/Founder was presenting a gala evening “Celebrating the Next 25 Years” featuring  the Young People’s Chorus of New York City, with Ashley Brown, Delfeayo Marsalis and the New York Pops.
View from the top of the Met's steps looking each down 81st Street, about 7:10 p.m.
This was new for me. I’d “heard of” the Young People’s Chorus. I had this idea that it was a chorale group of young people and children from the city’s schools. The evening was also a fund-raiser and at the dinner after the performance, they honored Robert E. Moritz U.S Chairman and Senior Partner of PricewaterhouseCoopers, and the Humanitarian Award was given to J. B. Harrison.

I arrived midway through the first performance which featured Delfeayo Marsalis along with the children who looked to be about the same age. In that part of the program there were several dozen on stage. I saw immediately that this was not just some group of young school kids singing in the choir. This was first rate, smart, clean, directed and compelling. The kids were really good, they moved like pros (kids’ version of pro), and like really good kids, they were into their performance. Their performance was clearly professionally directed, and impressive.
The marquee on the Time-Warner Building.
Watching it I was thinking how much fun it must be for the kids. And how much work had gone into the perfection of their performance; and what a good thing that was for everyone, including the future of these children. This was real power. This is where true hope and joy preside by nature’s way.

The program, with performances ever changing along with age groups, was sophisticated and diversified but entirely accessible to any music lover. The eldest must have been young teenagers and the youngest possibly five and six years old. All the performers were costumed/ dressed for their part of the program. The composer/ lyricists ranged from Aaron Copland to the Gershwins, Leonard Bernstein and Stephen Sondheim, Harold Arlen, Yip Harburg, Strouse and Charnin, Van Morrison, Dave Brubeck, Steve Wonder and several others.
The Young People's Chorus taking their final bow (after an encore) last night at Jazz at Lincoln Center.
With the exception of Mr. Marsalis and Ms. Brown, all of the songs were performed by the different age groups in large numbers, and precisely choreographed. Everywhere you look you see achievement and accomplishment for all involved and most importantly for these children. Elizabeth Nunez who is associate conductor of the YPC, serves as vocal coach for the choristers in all six YPC divisions. She is also director of the YPC Satelllite School Program which every year brings YPC’s choral program to 900 children in New York City Public Schools.  She was on stage last night conducting the choristers in Paul Desmond, Dave Brubeck and Iola Brubeck’s“Take Five”

Founder Nunez’ idea was to make the YPC multicultural as a model for an inclusive society that is being replicated globally. That’s what we were watching last night and itg was joyous and fun and deeply moving. I was reminded of the SAB dinner that I was not at for that is also an organization which through the use of the arts is preparing young people for the opportunity for a better life. These are not ideals. These are realities. Children mainly lack the tools to do it for themselves.
Last night's performance at the School of American Ballet's 2014 Winter Ball. More on that later.
The Young People’s Chorus definitely has provided their choristers with those tools. It was not only a thrill to see, but it was fun and beautiful music.

The performance ran about ninety minutes. It seemed like there were hundreds of children and young people entering and exiting for the more than fourteen numbers. Precision of movement, choreography was everywhere, the work of Jacquelyn Bird who is the director/choreographer. In the past eight years the multi-talented Ms. Bird has choreographed numerous performances of the Young People’s Chorus, including tours of the Dominican Republic China, Japan, France and at Coca-Cola 125th Anniversary celebration.

Francisco Nunez, the YPC’s founder and artistic director, is also a conductor, composer and a MacArthur “Genius.” Fellow. He is a frequent speaker on the role of music in achieving equality and diversity among children in today’s society. Mr. Nunez is a genius, and you can witness it yourself when you see a Young People’s Chorus performance. Again, Hope and Joy abound not only in the children performing but in the audience watching. The next time you get a chance to see the Young People’s Chorus, take your children, your grandmother, and your best friend and go. Everyone will love it and some will get it too.
Broadway at 62nd Street, looking South toward Columbus Circle and the Museum of Arts and Design (the white tower under the CNN sign). 9:10 p.m.
 

Contact DPC here.

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