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They says it’s gonna get warmer

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New Oxford Street scene in London, where the weather is almost balmy. 6:30 PM. Photo: Jeff Hirsch.
Wednesday, March 5, 2014. Cold and grey in New York. Beats snow at this point in the game. The weatherman says it’s gonna get warmer. 37 degrees maybe.

It was another busy night in New York for the calendar. There was a gala preview of the Annual Art Show to benefit Henry Street Settlement at the Park Avenue Armory. That’s a great show.
The crowd at last night's ADAA Art Show Gala Preview.
Then three blocks down at 583 Park, the Society of Memorial Sloan-Kettering Cancer Center hosted its annual Bunny Hop (for the kiddies — from 5 to 7). They did this for years at FAO Schwarz over by the Apple Cube, but this year Gucci sponsored and it was a big hit with the kiddies and the mommies and daddies and nannies. Meanwhile over on Madison Avenue, the Whitney Museum held a press preview for their biennial which is number 77. It is also the last one that will be held in the great Marcel Breuer building as the Whitney is going downtown big time.

I stopped by the townhouse of a supporter of New Yorkers For Children where they were hosting a cocktail reception for Bryan Samuels, who is the new president of Chapin Hall of the University of Chicago. Chapin Hall is a research and policy center which focuses on the mission of improving the well-being of children and youth, families and their communities. The NYFC and Chapin Hall have an effective working relationship in developing programs to help foster children in New York.
Bryan Samuels of Chapin Hall at the University of Chicago, Gladys Carrion, Commissioner, and Eric Brettschneider, President of New Yorkers For Children.
I stayed only briefly – long enough to get a picture of the principals. Eric Brettschneider is the new president of New Yorkers for Children, succeeding the NYFC’s founding father Nicholas Scoppetta. Mr. Scoppetta with the help of a group of friends and associates started this organization to assist foster children who were aging out of foster care.

Mr. Scoppetta had been a foster child himself. He was also Commissioner for the Administration of Children’s Services under Mayor Giuliani. He was also Fire Commissioner under Mayor Bloomberg. In the past 18 years, his NYFC has had a direct and positive effect on thousands of kids in New York who are moving into adult life.

This is another example of  power of one man with one idea assisting children and young people to grow up and make good lives for themselves.  NYSD readers have read my accounts of some of these young people who have emerged from often dire beginnings and yet made impressive, admirable and even powerful strides in creating independent, rewarding lives for themselves. Mr. Scoppetta is a Good Citizen. This is what it looks like. He sets a good example for all.

After my brief picture taking and talking with the aforementioned, I moved on over to the New York Junior League headquarters at 130 East 80th where the French Heritage Society was sponsoring a lecture by author/historian/art critic Olivier Bernier was giving a lecture on Madame Pompadour also known as the Marquise de Pompadour, the mistress to Louis XV, King of France from 1715 until 1774.
Olivier Bernier at the podium lecturing on Madame de Pompadour last night for the French Heritage Society, at the New York Junior League on 120 East 80th. The building was originally the home of Vincent Astor and his first wife Helen Huntington.
The NYJL house itself is one of the classic New York 20th century mansions. It was designed by Mott Schmidt– who designed several houses and buildings on the Upper East Side – for Vincent Astor and his first wife Helen Huntington.  I was as curious to get a look at the house’s interior as I was to hear Mr. Bernier speak. Despite its size, it was a much smaller house than the mansion Astor had grown up in on Fifth Avenue and 65th Street where the Temple Emanu-el now stands. A very different kind of space has a different effect on a person when it comes to living quarters. Although we get used to it.

Louis XV, King of France.
Olivier Bernier was born in this country to French parents. While he doesn’t speak with a French accent, he doesn’t seem “American.” More English; European. He’s written several books about the French 18th Century and its characters. Guy Robinson of French Heritage introduced me to him. A distinguished looking man, obviously a scholar, he’s very much the gentleman on meeting but with an almost modest demeanor.

I’ve read some of his books, as well as several other biographies of the Louis’ and the ancien regime, their mistresses and palaces. The drama is enhanced in the imagination by the Revolution. I recently read a history of Marie Antoinette’s hairdresser, a kid from the provinces who serendipitously met the young Dauphine and became her hair stylist for the rest of her (short) life.  It was an extraordinary, other-worldly life of extreme etiquette and luxury. And corruption. That came to an end called The Terror. All inherited from the previous Louis, the king whose mistress was Pompadour.

It was Madame Pompadour who is said to have first uttered that famous line attributed to Louis on his deathbed “Apres moi, le deluge….” Somebody called it right. True or not, it is the grist for the drama that still attracts readers and other characters to stories and accounts of the players in this fabulous and dramatic history.
The Marquise de Pompadour, Mistress of the King.
Bernier told us that with the coronation of Louis XIV, France was becoming “civilized.” This was a concept that was “new” – and doesn’t even exist anymore (we are allegedly civilized).  Women, Bernier told us, were regarded as the more civilized of the genders. More refined, more clever.

Marie Leszczyńska, Queen of France.
For a girl like Jeanne Antoinette Poisson, a child of uncertain parentage, the greatest achievement would be to become a mistress of a rich man. Little Jeanne’s mother knew this and with the assistance of a man who was or wasn’t her father, she was “educated” to the refinements and the ways of the world which she would enter.

She was a year old when the King, then only fifteen, married his only wife, Marie Leszczyńska, who was daughter of the King of Poland. Jeanne was 21 – and he was 30 – when she met him for the first time at Versailles in 1745. She became his official mistress within weeks.

Pompadour was given the title because a king’s mistress had to be titled. That way she could live down the hall – the “hall” in this case being the Hall of Mirrors.

Bernier told us that “rouge” was important. The way it was worn was telling. A young girl would wear it very lightly.  An older woman, like Marie Leszczyńska, might not wear any. She might instead a scarf of black lace instead, indicating the end of something. But rouge in their world: a woman might wear it in two round daubs on a very white face. Jeanne Poisson knew how to wear it.
Hall of Mirrors, Palace of Versailles.
In an age where France was becoming La Gloire in history, the new marquise exercised great taste and artfulness. She wore a lot of real flowers on her dresses which were often made up of several pieces of fabric sewn together. A woman getting into them was often sewn in. She cultivated and energized Sevres and the great furniture makers. She was also a friend of Voltaire.

When The Marquise de Pompadour was very young. Notice the rouge.
Louis moved her into an apartment above his in the vast chateau. The Queen lived in another apartment nearby, and was well aware of the royal mistress. Pompadour, as the mistress had the power, and was respectful and considerate of the Queen – who’d already had ten children with the King and didn’t want to risk her health by having any more.

It was understood in a civilized world that a royal mistress should have the funds to live luxuriously. Because she had the power of the purse, she also cultivated influence over policy, and had obvious political clout which gave her more power, and enemies. The king respected her.

The royal affair had  lost its sexual heat after the first five years but Pompadour was clever with her power over the King and she kept him. She even found less clever mistresses to occupy his needs, but remained his comfort. When she died of tuberculosis at age 42, he mourned her. Her legacy, Mr. Bernier told us in his talk last night, was her enormous influence over the arts and culture that still defines France in terms of style.

The lecture lasted a little more than an hour. This was followed by a reception for the guests with a buffet of delicious-looking hors d’oeuvres, canapés and drinks. But I went over to Eli’s which was just a block away to the east, and bought myself a large portion of their delicious meat lasagna and took it home  and had dinner; and then wrote out of this account of my trip to Madame Pompadour on a cold late winter’s night in New York.
 

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